Friday, December 6, 2013

The title is significant because the technical skills, knowledge and competence anonymous craftsmen


A recently published Eikon Publishing House Cluj-Napoca a book could not be more helpful Romanian culture: invisible chemicals face shape and color, with the subtitle's technical occupations nciclopedia chemicals old Romanian folk art from A to Z, 351 p ( authors Michael chemicals Mihalcu and Mihaela Leonida).
The title is significant because the technical skills, knowledge and competence anonymous craftsmen, the materials they use, natural colors and kinds of preparation work tools, organization of work, the content of professional manuals (erminia) etc.. are not considered to be a hidden and neglected when they comment on the beauty and richness of traditional Romanian heritage.
Or without knowing the hidden faces that made possible the variety of cultural heritages millennia, from the products of pottery and carpet weaving, until the famous mural painting religious monasteries in northern Moldavia and folk architecture, secular or religious throughout the country , our comments, however enthusiastic and well documented aesthetic and philosophical, however well intentioned patriotic point of view, is likely to seem superficial and impressionistic.
The book is in fact a dictionary consisting of rigor and erudition the impressive versatility authors multidisciplinary competence (chemistry, history, religious art history, ethnography, linguistics, iconography, etc..), The precision of definitions and ultimately no elegance of language .
Dictionary, encyclopedia invoice explains little or no technical terms known by the general public (blaiţucar, Clempus, coajnic, Harag, krunghelb, pafilent, saătlîc etc.), Addresses the known terms in the past also had another effect, in relation to a use specific chemicals craft (hammer, lovage, wolf feather, Inflatable, dig etc) or terms which the authors reserve true are interesting and instructive, which are found from a case history information about the object, about how it is constructed about variants and technological chemicals and cultural context of use, about the function of symbolic-religious, etc.. (Dragon, Bardas, chemicals ermine, primer, glass icons, iconostasis, bench, stain, ocher, potash mill, secure, sun etc.).
Let's say that one of the major merits of this book is related to national identity. Old Romanian culture has the unseen chemicals face shape and color excellent reference work that demonstrates the merits bases on which constuit and originality in Eastern European cultural context.
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